Alexander in fiction (Aubrey Menen)
Posted: Thu Mar 04, 2004 8:19 pm
Since we've mentioned a couple of ATG books of late, including the Pressfield book, and they don't look promising, I thought I'd make a suggestion of a GOOD book on Alexander that's not very well known. :-)The book is Aubrey Menen's A CONSPIRACY OF WOMEN, published by Random House in 1965. It comes to mind because I was just talking about it today, but while a number of folks know of Renault, and may also have read more recent (better) ATG books, Menen usually unfamiliar. Below is a brief summary/review of it from the paper I just did, and I've also discussed it on "Beyond Renault," but that's longer.
[Mene]... used Alexander's campaign to allegorize the present, or more specifically, the recent past, employing the Macedonians' trek through Persia and India as an opportunity to poke fun at the British occupation of India in the 1800s -- all done with Menen's elegant dry wit and keen eye for irony.Indo-Irishman Aubrey Menen was a well-known essayist, drama critic, stage director, radio reporter, television and film staff director, ad agency director, and free-lance writer -- a man of many and varied hats, whose literary talents were uncovered by no less a figure than H. G. Wells. Menen was born in 1912 to an Irish mother and Indian father, and raised Roman Catholic in London, where he graduated from University College. Thus, he grew up three kinds of minority in the heart of the British Commonwealth, and it gave him the biracial child's causticity.He said, "As a satirist, my desire it to amuse, rather than reform. Many of the world's tragedies have stemmed from people who have thought that human nature could be improved ... The message of at least one kind of satirist is that human nature is corrupt, but that this is not necessarily either a disastrous or a melancholy thing."It certainly isn't in this novel. ...This romp makes no attempt to take itself seriously, even while showcasing just how well Menen understood human foibles, especially those of imperialist nations versus Traditional societies. Menen's novel succeeds ... by, first, making sure that the historical situation he chose to write about actually worked for the purpose to which he put it, and second, by making any changes to history suit his theme and plot purpose. That is, they aren't random alterations, or the result of errors from lazy research.In its time-line, Menen's novel is all turned around. Alexander returns directly from Baktria to Susa -- where he h
[Mene]... used Alexander's campaign to allegorize the present, or more specifically, the recent past, employing the Macedonians' trek through Persia and India as an opportunity to poke fun at the British occupation of India in the 1800s -- all done with Menen's elegant dry wit and keen eye for irony.Indo-Irishman Aubrey Menen was a well-known essayist, drama critic, stage director, radio reporter, television and film staff director, ad agency director, and free-lance writer -- a man of many and varied hats, whose literary talents were uncovered by no less a figure than H. G. Wells. Menen was born in 1912 to an Irish mother and Indian father, and raised Roman Catholic in London, where he graduated from University College. Thus, he grew up three kinds of minority in the heart of the British Commonwealth, and it gave him the biracial child's causticity.He said, "As a satirist, my desire it to amuse, rather than reform. Many of the world's tragedies have stemmed from people who have thought that human nature could be improved ... The message of at least one kind of satirist is that human nature is corrupt, but that this is not necessarily either a disastrous or a melancholy thing."It certainly isn't in this novel. ...This romp makes no attempt to take itself seriously, even while showcasing just how well Menen understood human foibles, especially those of imperialist nations versus Traditional societies. Menen's novel succeeds ... by, first, making sure that the historical situation he chose to write about actually worked for the purpose to which he put it, and second, by making any changes to history suit his theme and plot purpose. That is, they aren't random alterations, or the result of errors from lazy research.In its time-line, Menen's novel is all turned around. Alexander returns directly from Baktria to Susa -- where he h